The half-high lining that shadows through you can kind of see in the upper sleeve. The lining is boned, and buttons up the back. It's a seperate garment, so it can be washed without the dress.
I really wanted to recreate this particular fashion plate from 1862, but Camille wanted a high-necked, long-sleeved dress with a half-high lining. She once wore a low-necked, short sleeved dress to an event, and she burned her upper shoulder and neck area really badly. So I think she sees the practicality of covering more skin, so it is practical for outdoor wear, despite being white. This fabric is relatively easy to spot treat/scrub.
1862 Magasin des Demoiselles fashion plate
At some point I would really like to make this fancy belt with a sash; I think it's awesome, but she doesn't care for it.
This was the first dress were I allowed a significant drop in overall length; it feels much longer than her previous dresses. Almost full length, but in reality is still 8'' off the ground.
The bound ruffles are what inspired the trimmed tucks; I don't have documentation for silk-trimmed tucks, but the overall effect is plausible. We have plans to sew on covered buttons down the back.
This belt buckle is from Ensembles of the Past. It is absolutely beautiful, and I really want one in every color!
The bonnet was made in winter of 2015. It looks very well with the entire dress.
The hoop was made using The Laced Angel's instructions. Most of the hoop measurements were used, with slight modifications. This is the first day dress she's worn with a hoop.